Jessica lichtenstein biography
- In 2013, Lichtenstein departed from the overt sexuality of the Word Sculptures, and started creating landscape pieces that infused women as the foliage of trees.
- Looking to the classical nude form as inspiration, Jessica Lichtenstein explores modern international reinterpretations of female depictions.
- American, b.
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Jessica Lichtenstein
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XLooking to the classical nude form as inspiration, Jessica Lichtenstein explores modern international reinterpretations of female depictions. Beginning her career with placing hyper-sexualized Japanese figurines into domesticated environments, Lichtenstein’s exploration into the female form has since evolved to incorporate glimpses of female sexuality in textiles, furniture, acrylic prints, mirrors, and chrome. Pulling viewers into her utopian, phantasmagoric worlds, Lichtenstein asks her viewers, male and female alike, to re-consider the many complexities of femininity.
Her latest series departs from the overt sexuality of Japanese anime culture and investigates the simultaneous anonymity and specificity of female characteristics. The faceless, repeating effeminate forms represent both the community of women in the world and the individuated characteristics that make up a single woman. Varied body positions differentiate each figure and yet harmoniously contribute to the texture of the leafy, vibrant tree that unifies them.
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Jessica Lichtenstein’s sculptures expand upon her longstanding fascination with power dynamics and cheeky irony. Concrete hearts embedded with engraved lockets form a representation of the chaotic, messy, and beautiful thoughts that make up a person. The multidisciplinary artist has often emphasized paradoxes— objectification and empowerment of the female body, sincerity in consumerist culture— and her recent series explores the supposed incongruity of one’s whole identity. Potent affirmations and intrusive thoughts coexist within each piece. Lichtenstein confronts the complexities of how women view themselves and are viewed by others. Tender expressions of affection, harsh judgements, affirmations and worries are literally unearthed, and set free, in her heart shaped forms.
“Once I got these lockets and engraved them all, I wanted to have these words and thoughts and emotions sort of spilling, pouring, exploding out. Buried inside, cracked open. All the things that make up a human heart.&rdq
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Using the female body as a mechanism to explore deeper themes of power, female representation, fetishism and objectification, usually in an ironic and cheerful way, Jessica Lichtenstein’s work embodies the very paradox she is trying to explore. Her work consciously plays with the boundaries of power, commercialization, consumerism, fantasy and propriety, provoking tensions that challenge the viewer to confront his or her own gaze.
Lichtenstein first found artistic inspiration from mass-produced, hyper-sexualized Japanese figurines, as she became fascinated with the fetishization of the dolls in pop culture. In her first series, Lichtenstein explored both the commodification of the female body while simultaneously examining how these forms change in the public vs. private realms.
Jessica Lichtenstein’s work has been exhibited nationally and internationally, including New York, California, Florida, and Hong Kong.
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