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Cuban Music from A to Z 9780822385219

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Tseng 2003.12.30 07:17 6989 Orovio / CUBAN MUSIC FROM A TO Z / sheet 1 of 248

Cuban Music from A to Z

Tseng 2003.12.30 07:17 6989 Orovio / CUBAN MUSIC FROM A TO Z / sheet 2 of 248

Tseng 2003.12.30 07:17 6989 Orovio / CUBAN MUSIC FROM A TO Z / sheet 3 of 248

Cuban Music from A to Z

Helio Orovio

Duke University Press

Durham 2004

6989 Orovio / CUBAN MUSIC FROM A TO Z / sheet 4 of 248

For a wide variety of genres of Cuban music, visit: www.tumimusic.com

© 2004 Tumi (Music) Ltd., Bath, U.K. First English-language edition published in the United States by Duke University Press and in the United Kingdom by Tumi (Music) Ltd., 2004 All rights reserved Printed in the United States of America on acid-free paper  Designed by Mary Mendell Typeset in Quadraat by Tseng Information Systems, Inc. Library of Congress Catalogingin-Publication Data appear on the last printed page of this book.

Tseng 2003.12.30 07:17

Consulting editor, Mo Fini. Translated from the Spanish by Ricardo Bardo Portilla and Lucy Davies an

Cuban Music From A To Z (Helio Orovio) (Z-Library)

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Cuban Music From a to Z (Helio Orovio) (Z-Library)

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30 07:17 6989 Orovio / CUBAN MUSIC FROM A TO Z / sheet 1 of 248

Cuban Music from A to Z


Tseng 2003.12.30 07:17 6989 Orovio / CUBAN MUSIC FROM A TO Z / sheet 2 of 248
Tseng 2003.12.30 07:17 6989 Orovio / CUBAN MUSIC FROM A TO Z / sheet 3 of 248

Durham 2004
Helio Orovio
from

Duke Universit

Caribbean symbolism
By Orestes del Castillo

Santeria was born on a Cuban beach in 1517. The first slave shipload had just arrived. The Yorubaslaves, uprooted from their native Africa, found themselves kneeling before a Catholic priest, who, in an unknown language tried to introduce them to a new faith which would save their souls as it gave them the spiritual strength to endure slavery. The bright light of the torches made the metallic attributes of the Catholic liturgy shine. The scented candles achieved a magical effect on the mass of people. The religious images showed different saints, in whom the slaves immediately recognized the familiar traits of their own saints. The rhythm of the Latin chants was different from the rhythm of the distant and unforgettable African drums that they heard for the last time in Nigeria, on the West African Coast. The sound and the bite of the whip indicated that slavery was also born on that day.î

Slavery, colonialism and religion
Life and passion of the Orishas in the New World

The African slaves were brought to the Americas to work in

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