Raney aronson-rath email
- Arun rath
- Raney Aronson-Rath produces Frontline, PBS's flagship investigative journalism series.
- She earned her bachelor's degree from the University of Wisconsin and her master's from Columbia Journalism School.
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Editor-in-Chief and Executive Producer Raney Aronson-Rath
Rahoul Ghose/PBS 2024
Raney Aronson-Rath is the editor-in-chief and executive producer of FRONTLINE, PBS’ flagship investigative journalism documentary series produced at GBH in Boston. She’s a leading voice on the future of journalism and has cemented FRONTLINE’s reputation as a trustworthy source.
Aronson-Rath oversees FRONTLINE’s acclaimed reporting, and directs the series’ editorial vision — executive producing more than 20 in-depth documentaries each year on critical issues facing the country and the world. Under her leadership, FRONTLINE has investigated the impact of Russia’s war on Ukraine, the deep historical and regional context behind the Israel-Hamas war, threats to democracy in the U.S. and abroad and the world’s response to a global coronavirus pandemic.
She has expanded FRONTLINE’s reporting capacity, leading an initiative to bolster local journalism in news deserts, and guided FRONTLINE’s evolution from a longstanding documentary series to a multi-platform journalism organization committed to uncoverin
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Raney Aronson-Rath
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Raney Aronson-Rath ’92
Courtesy Of Frontline
It takes real diplomacy to seek truth behind the Ebola crisis in West Africa or famine in South Sudan. Raney Aronson-Rath ’92 is up to the task.
Aronson-Rath is sifting and winnowing at the pinnacle of journalism as the second-ever executive producer of the PBS investigative series Frontline. She took the top spot in 2015 and has been recognized for driving innovation behind the series’ respected documentary journalism. A recent look at Ebola in West Africa marked the program’s inaugural report in virtual reality — a big step in Frontline’s expansion into new storytelling frontiers.
“We’re trying to tell some of our hardest stories in virtual reality,” Aronson-Rath says of the presentation style, shot and produced to provide a 360-degree, immersive experience when viewers use a special cardboard device paired with a smartphone. “Sometimes being immersed in an environment that you can never yourself go to can really help you understand the world better.”
That’s the mindset that Aronson-Rath had when leaving home in rural Ver
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