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Mieczysław Horszowski was a Polish and American pianist who had one of the longest careers in the history of the performing arts.

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The Polish-born pianist, Mieczyslaw Horszowski, was taught to play the piano by his mother, a student of one of Frédéric Chopin's students, and his main teacher, Theodor Leschetizky, was a protégé of Carl Czerny. Horszowski was playing (and transposing) J.S. Bach inventions at age 5; at 8 he was presented to the public as a prodigy, and at ten he began his formal career. He played for Gabriel Fauré and perhaps Camille Saint-Saëns in 1905 and made his USA debut, at Carnegie Hall, the following year. It was also during 1906 that he met the youthful Pablo Casals and Arturo Toscanini, who became lifelong friends and collaborators. Horszowski was especially noted as a chamber music pianist and became a fixture of Casals' Prades Festival for many years.

Interrupting his high-flying career to pursue a humanities degree at the Sorbonne in Paris from 1911 to 1913, Mieczyslaw Horszowski moved to Milan during the war and remained there until 1939, touring internationally. As World War II broke out he was appearing in Brazil, and instead of returning

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Mieczysław Horszowski

Polish and American pianist (1892–1993)

Mieczysław Horszowski (June 23, 1892 – May 22, 1993) was a Polish and American pianist who had one of the longest careers in the history of the performing arts.^[1]

Life

Early life

Horszowski was born in Lwów (Lemberg), Kingdom of Galicia and Lodomeria, Austria-Hungary (now Ukraine). He was first taught piano by his mother, a pupil of Karol Mikuli, who had himself been a pupil of Frédéric Chopin. He became a pupil of Theodor Leschetizky in Vienna at the age of seven; Leschetizky had studied with Beethoven's pupil Carl Czerny. Leschetizky's sister-in-law, Angele Potocka, referred to Horszowski as "a wunderkind of high order".^[1]

In 1901 he gave a performance of Beethoven's Piano Concerto No. 1 in Warsaw and soon after toured Europe and the Americas as a child prodigy. In 1905 the young Horszowski played for Gabriel Fauré and met Camille Saint-Saëns in Nice. In 1911 Horszowski put his performing career on hold in order to devote himself to literature, philosoph