Pictorialism gertrude kasebier biography

Also known as
Gertrude Stanton, Gertrude Stanton Käsebier
Date of birth
Date of death

Gertrude Käsebier took up photography in middle age and was soon praised by the renowned promoter Alfred Stieglitz as “beyond dispute the leading portrait photographer in this country.” In 1897 she opened a portrait studio catering to the upper crust of New York society, commanding high prices for her work thanks to her self-consciously artistic approach. Käsebier sought to “make likenesses that are biographies,” as she put it, by spending hours with her subjects. She was also known for her heartfelt images of mothers and children, which often looked authentic and unposed even when staged for the camera. Käsebier experimented continually with photographic papers and processes and took full advantage of the painterly effects of gum bichromate, a technique in which the artist manipulated the image during printing.

Käsebier was a core member of Stieglitz’s group the Photo-Secession, and he chose her to be featured in the first issue of his journal Camera Work (January 1903). But after

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Nothing predisposed Gertrude Stanton to becoming the urban and international artist she would go on to be at the turn of the 20th century. Born on the plains of the Midwest, she admitted that she suffered from growing up in an environment that did not value aesthetics. The Stanton family prospered thanks to her father’s sawmill in Colorado until the Civil War forced them to flee to Brooklyn, New York. G. Stanton received a solid education at the Moravian Seminary for Young Ladies in Bethlehem, Pennsylvania, after which she returned to live with her family. She met one of the lodgers of her mother’s boarding house, Eduard Käsebier, an immigrant from a well-connected family in Germany, whom she married in 1874. His income as a shellac importer provided enough to support Gertrude in pursuing her first vocation as a portrait painter.
In 1889, at the age of thirty-seven and with her three children almost teenagers, she enrolled in the Pratt Institute in Brooklyn, where she studied painting for seven years in addition to practising photography on the side. By 1885 the la

Gertrude Käsebier

American photographer (1852–1934)

Gertrude Käsebier (born Stanton; May 18, 1852 – October 12, 1934) was an American photographer. She was known for her images of motherhood, her portraits of Native Americans, and her promotion of photography as a career for women.

Biography

Early life (1852–1873)

Käsebier was born Gertrude Stanton on May 18, 1852, in Fort Des Moines (now Des Moines, Iowa). Her mother was Muncy Boone Stanton and her father was John W. Stanton. He transported a saw mill to Golden, Colorado, at the start of the Pike's Peak Gold Rush of 1859, and he prospered from the building boom that followed. In 1860, eight-year-old Stanton traveled with her mother and younger brother to join her father in Colorado. That same year, her father was elected the first mayor of Golden, which was then the capital of the Colorado Territory.[1] During her four years in Colorado, she developed an interest in and affection for Native Americans. She would visit with them, and then be returned to her home.[2]: 9–10&#

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